Season one was great, but the second run of this off-beat superhero caper turned out to be my binge choice for the summer.
Picking up straight after their temporal escape from the first season’s destruction of planet Earth (pretty much their fault), our barely competent crew of metahuman misfits land in the sixties, where they have to contend with the awakening the civil rights movement, same-sex relationships, an organisation of assassins tasked with maintaining the integrity of the timeline, the assassination of Kennedy, and a nuclear holocaust that is six days away (again, mostly their fault).
With so much to pack into ten episodes, it cracks along, but amazingly, doesn’t feel rushed. There’s plenty of time and space to delve into Black oppression, attitudes to homosexuality, love, sacrifice and being willing to do anything for your family … even when you despise them.
My favourite lockdown binge so far, though it’s kind of hard to describe: a cross between Killing Eve and Jesus Christ Superstar (Jesus even makes a cameo appearance). It’s funny, inventive, has one of the best deadpan cast of characters I’ve ever seen. (Nick Offerman is pure genius), and the script is a pared-down thing of joy. Devs takes place round about now-ish and is the story of a company that is working to develop the holy grail of computer systems: a quantum machine that can
Don’t look if you haven’t see it!
generate a simulation of any event, past, present, or future by calculating the probability of the events connected to it, no matter how distant they are. A bit like a machine that can work through the Butterfly Effect.
Yup, a game-changer, and the shady techs behind it will kill employees, foreign spies and just about anyone else to keep it a secret.
Devs is a slow-burner: the set (especially the computer – they’re actually working inside the computer!) is a work of art. The whole piece is quiet, atmospheric with dialogue that works effortlessly around some pretty mind-blowing concepts: probability, quantum computing, multiple universes: they’ve thrown the whole Sci-Fi manual at it, and still managed to keep it compulsive viewing. As I’ve said, it’s a standout performance by Nick Offerman (remember Ron Swanson from Parks and Recreation?) as the haunted CEO of the company, wracked with doubts over what he’s trying to do.
Warning! There’s a prediction/possible spoiler near the end!
In my less-than-humble opinion, a TV series based on a movie based on a graphic novel is never going to go well. It’s a bit like the sci-fi view of cloning: successive copies are always a little less perfect than the first generation.
The Watchmen franchise has managed to get around this by making a perfect copy of the original, and then pretty much rewriting the original for the TV series. So far, the results are … encouraging. Couple of things to bear in mind though: