If you think the whole zombie apocalypse thing has had its day, then track down Cargo (currently running on Netflix UK) and think again.
In the aftermath of the aforementioned zombie apocalypse, Andy is traveling alone through the Australian Outback with his daughter, Rosie. He’s recently lost his wife to the virus and has been bitten himself. Within 48 hours, the virus will transform him into a mindless, flesh-eating, pus-leaking zombie. So he has just 48 hours to find someone to take care of Rosie …
What makes this film a rare treat is that it focuses less on the actual apocalypse and more on the surviving humans. In that regard I suppose it’s closer to the Walking Dead than World War Z, but the thing that sets Cargo apart is that there are only a handful of zombies in it. In fact, there’s not much of anything.
This was always going to be a chancer, but Ryan Reynolds and co. have managed to pull it off … but only just.
First, the good: the film is funny. It’s very funny. Not as funny as the first one, but still gets a few good laughs through a two hour stretch that could have done with being a little more pacey in places. Reynolds relies a lot on breaking the fourth wall to keep the smirks coming, but I think the trick doesn’t work quite as well as it did in the first outing.
And the film is good. Well … when I say good, I mean that it knocks the spots off anything the DC Universe has produced to date, but when compared with the rest of the Marvel/Sony collection, I’d say its sailing near the lower-middle of the pack.
Okay, Ryan Reynolds was obviously born to play Deadpool and Josh Brolin turned in a creditable performance as Cable, though it was probably a little more intense than I was expecting. Zazie Beetz (no, I have no idea who she is) was really good as Domino, which again was something of a surprise because I’m assuming this isn’t her day job.
The script was okay, but it lacked the relaxed, anarchic feel of the first outing. I got the impression that writers were out to prove that the phenomenal success Deadpool 1 wasn’t a fluke, and as a result they ended up trying too hard. Some of the humour seemed forced, and some of the sequences leading up to the joke were a little contrived. The plot bounced all over the place, occasionally flying off on blind tangents,just about holding the story together, but not always keeping the audience interested.
A nod to the action sequences though: some of the best fight scenes I’ve seen on screen; just a pity there weren’t more of them.
If you’re a fan and you liked the first one, then definitely see the sequel. If you’re kind of on the fence about the whole Deadpool thing then you might be a little disappointed. It’s a good movie; I just expected better.
Okay, so it’s finally landed and as promised, it’s an absolute epic. Just about every Disney/Marvel character from the past decade makes an appearance – that’s about twelve leading characters in all, and to be honest I wasn’t sure how they were going to handle it; that is a lot of people to pack in a movie set to run for two-and-a-half hours.
Well … they pulled it off, and I think I see how they did it.
So you’ve got Thor, the Black Panther, Doctor Strange, the Guardians of The Galaxy, Spider-man and the Avengers in one movie, fighting a common enemy on Earth and in space, and that was what the movie was about: the common enemy: Thanos, possibly the most powerful and complex villain in Comicdom.
So instead of trying to divide the audience attention between too many heroes and their problems and personality defects, the directors focussed on Thanos and his very simple agenda: eliminate half the population of the universe. What makes him so fascinating as a villain trul is that believes he’s doing this for the greater good (there aren’t enough resources in the universe to support its ever-increasing population, so a drastic “correction” is needed). Yup, lots of villains reckon they’re on the side of the greater good, but Thanos is willing to sacrifice anything to achieve his aim, no matter what the cost to himself.
For thousands of years, Thanos has an enjoyed an on-off relationship with the universal embodiment of death…
Who survives his universe genocide will not be a choice based company in wealth, race, age or religion – it’s a choice the universe itself will make completely at random (though I imagine he’s going to make sure he’s safe). Thanos himself is brilliantly played by Josh Brolin (who’ll be pulling double duty as Cable in the next Deadpool movie) and a lot of CGI. The rest of the cast does an excellent job even though they’re support players to the villain’s master plan. There’s a lot of humour, a lot of tense interaction between the people trying to save the universe, and considering how much screen time has to be shared between so many people, you still get the sense that the characters are more than two-dimensional. That couldn’t have been easy, but it was probably helped by the fact that we know them so well already.
The story works, the plot hangs together (a small miracle in itself), and Marvel Studios continues to kill it when it comes to set action pieces and special effects (this has got to be one of the most expensive movies ever made). It’s edge of your seat stuff from start to finish, so don’t even think you’ll have time to nip out for a comfort break.
If you think the whole zombie apocalypse thing has had its day, then track down Cargo (currently running on Netflix UK) and think again.
