Well, having being pretty unimpressed with the extraordinarily dull and desperate War of the Worlds, and falling asleep (twice!) during the new year’s episode of Doctor Who, I wasn’t expecting too much from Dracula. I mean, it’s a well-worn story and given their recent form, I wasn’t sure the BBC was going to do it justice.
Turns out I was wrong. This was the most polished piece of dramatic writing I’ve seen from the BBC since Killing Eve, and I suspect there’s a good reason for that.
But before we start on the writing, let’s talk about the genius leads: Claes Bang and Dolly Wells.
Netflix continued its Marvel Comics love-fest with the release of Iron Fist this week. If you’re not familiar with the comic book – and by all accounts, not many people are – then it tells the story of one Daniel Rand who was lost in the Himalayas following a plane crash. He’s raised by warrior monks and returns to New York some fifteen years later to reclaim his legacy. Yes, he’s a secret billionaire … with no shoes.
It’s a story as old as time, but with a nice modern twist, or so we thought. The early showings have been mercilessly panned by critics who reckon it’s nowhere near as good as Netflix’s other Marvel collaborations: Daredevil (brilliant), Jessica Jones (not so superhero-y, but still brilliant), and Luke Cage (gritty and brilliant). There have also been lots of complaints of ‘white-washing’: why is a Kung-Fu master being played by a white guy? What, you couldn’t you find a Chinese actor who knows his way around the martial arts? This particular complaint you can pretty much ignore. Iron Fist has been around since the seventies. He started off white; he’s always been white. If he wasn’t white I’m not sure how they make the whole thing work. No, the real complaints are about the show itself.
Now, I’ve only watched the first two episodes, and I usually like to give it at least another one before I decide whether or not it’s a dud. I haven’t done that in this case because its predecessors were pretty damn good from day one, so I kinda expected the same from Iron Fist. Unfortunately, from what I’ve seen so far, it’s not in the same league. Continue reading “Iron Fist: So far, not so good…”
I didn’t think it possible that the second series could top the first; glad to see I was wrong. A new uniform, the return of a few old favourites (Stick and Wilson Fisk) and a pretty bloody intro to some new ones (The Punisher and Elektra). The fighting sequences were some of the best I’ve seen on television, the plot lines were carefully crafted for intracacy without being too overwhelming, and the acting was top-notch.