Warning! There’s a prediction/possible spoiler near the end!
In my less-than-humble opinion, a TV series based on a movie based on a graphic novel is never going to go well. It’s a bit like the sci-fi view of cloning: successive copies are always a little less perfect than the first generation.
The Watchmen franchise has managed to get around this by making a perfect copy of the original, and then pretty much rewriting the original for the TV series. So far, the results are … encouraging. Couple of things to bear in mind though:
Every time I review a DC film, I say pretty much the same thing: they have to stop taking themselves so seriously. Well, once again, they ignored me: Joker is about as serious as you can possibly get, and it’s a much better film for it. For me, this is their best outing to date, and it’s pretty grim.
Joker is set in Gotham, before Batman and before Arkham became a rest home for homicidal super villains. The connection is there, but it’s very loose: this is not a film about super heroes, this is a film about how we’re all just a few steps removed from becoming a menace to the public.
Joaquin Phoenix, unsurprisingly, turns in a masterful (and I mean masterful, as in ‘Oscar worthy’) performance as Arthur Fleck, a failed clown and failing stand-up comedian suffering from a range of mental ailments and perpetual bad luck. As his life spirals out of control and his past unravels around him, he becomes increasingly unhinged, delusional, and of course, homicidal.
Well this really was a treat. After the enjoyably grim Endgame, Marvel/Disney have given the fans a bit of much-needed light relief.
The film follows Peter Parker on a whirlwind trip around Europe, during which the teenage superhero has to come to terms with the loss of his mentor, raging hormones, and a global threat in the form of elemental monsters from an alternate dimension.
Yes, there’s a lot going on, but the writers have managed to hold it all together (just), without wandering too far from the main ‘beat the bad guys’ plot line.