Sweet Sweet Revenge Limited by Jonas Jonasson

I’ll tell you what, I’ve been round the houses looking for a book I could settle on; I’ve dumped the last three I’ve started, but I don’t think the problem was the books (so I won’t say what they were: I think I was in the mood for something a bit more fun, a bit more lightweight … and then Sweet Sweet Revenge Ltd. popped up in the book feed.

What I like about Jonasson’s writing is that he manages to weave a deceptively simple plot (I don’t think I’ll be giving too much away by telling you it’s centred around revenge), some pretty unsavoury but strangely endearing antagonists (remember Hitman Sanders …?), and some fairly ordinary protagonists. The prose flows well, with no bumps or sharp edges; but plenty of humour, some of it gruesome, most of it just really fun.

The appeal of the book for me was that I could enjoy the book without expending too much brainpower; the author takes out much of the hard decision-making, but does it in a way that doesn’t patronise. To begin with, the villain, Victor, is a racist, misogynist, homophobe, thief, swindler and would-be murderer … and we learn all of this in the first ten pages, so we dislike him pretty much straight away. He does have occasional flashes of mercy, so he is very much a standout character in a book that focuses more on the adventure than the people.

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Book review: Hitman Anders and the Meaning of it All – by Jonas Jonasson

hitman_anders.jpgI bought the book because I loved the idea: a failed priest, the grandson of a millionaire, and a geriatric hitman just out of prison. Circumstances throw them together, and together they come up with some pretty odd ideas to scam money out of their fellow Swedes. The book is a good long poke at organised religion, which manages to deliver a few smiles and the occasional raised eyebrow along the way, but if I had to sum it up in one word, then I’d probably go for ‘likeable’.

Hitman Anders showed great promise in the early chapters, but it lost its way a little bit towards the middle. It kept me reading, which is good sign because I’m happy to drop a book if I’m not enjoying it. The author delivers basic but workable characterisations and keeps things moving at a mild canter.  He does have  to resort  to the occasional ‘lookahead’ though, to keep the reader moving to the next chapter.  Yes, it works, but I always feel it’s cheating for some reason… Still, it doesn’t happen too often so I’m probably being picky.

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