A Song For a New Day by Sarah Pinsker

This one felt familiar: after a pandemic and a series of terrorist attacks, America goes into lockdown … permanently. A strict curfew is imposed, and the population works from home, rarely leaves town and relies on shopping and media conglomerates for supplies and entertainment.

Yeah, that does sound familiar …

The story follows the lives of two women struggling in this world of isolation: Luce, the last musician to hold a concert before the lockdown came into force, and Rosemary, a young woman who’s never left home, but has taken a job as a talent scout for one for aforementioned media conglomerates.

This is very much a character-driven piece, doing a decent job of telling the story from two viewpoints. I preferred hearing from Rosemary to be honest, as she started off as a young girl living at home without much experience of life away from her parents farm. I enjoyed watching her stumble and grow as the story went on. I mean Luce’s story was great too, but since she’d been out and around before the lockdown, she already had experience of the “before time”, so I did find her side of things slightly less compelling.

The writing style is bordering on literary I would say, with a lot of the prose taking place in the characters heads. It’s easy to read with no rough edges to get in the way of a good story. It’s also not big on suspense really. The bad thing has already happened, so all there is to do is cope with it the best you can. That’s fair enough, but if you’re the kind of reader who needs to be drawn to read on, then you might struggle. But if you’re looking for a good character drama wrapped in great writing then you should give A Song For A New Day is definitely worth a punt.

The Black Widow

It took it’s own sweet time getting here, but as it turns out, it was well worth the wait. Scarlett Johansson takes Marvel’s eponymous near-superhuman spy around the world for one last outing (after the whole … well, you know … Thanos business).

And it’s one hell of a swan song. The movie takes the Black Widow across the world with the help of a fella who seems to be able to conjure experimental fighter jets out of thin air, but seems to have trouble getting hold of a decent caravan, and the family of Russian agents who’re her family … after a fashion.

The plot is … unsurprisingly unlikely, the characters have just the right amount of depth: enough to keep you rooting for them, but not enough to get in the way slow down the on-screen carnage. The stunts are fantastic, and like all Marvel movies, it doesn’t take itself too seriously (DC, take note). The only cringeworthy bit about it was Ray Winston’s accent, which meandered between Russian Bond villain and Phil Mitchell from Eastenders.

The Black Widow didn’t have that Marvel blockbuster feel to it; felt more like something that could’ve played out on the Disney+ channel over a six-part series. Still, well worth seeing IMO.