Book review: Troubled Blood by Robert Galbraith (JK Rowling)

I’m a huge fan of the Cormoran Strike series, but I have to say the last one did leave me a little bit cold. The characters were two-dimensional stereotypes, the story meandered all over the place and the outcome was a bit of a disappointment. So when I downloaded Troubled Blood and saw the size of it, I was a little bit worried that I was going to devote quite a lot of reading time (it’d actually jumped the queue as well) for something I might not like.

It’s definitely not a novella: if you buy this in hardback it’ll weigh in at around nine hundred pages. There’s nothing wrong with a long book, but I can only think of two mega volumes I’ve really enjoyed from start to finish, without skipping a chunk in the middle through sheer boredom.

Troubled Blood is another chapter in the ‘will-they-or-won’t they’ lives of Cormoran Strike and Robin Ellacot, partners in a thriving London detective agency who’ve fancied the pants off each other since book 1, but can’t seem to get it together, mainly due to personal lives as chaotic as those of the people they’re following.

Throughout this epic, Rowling manages to balance all this personal stuff (Robin’s divorce, Cormoran’s bat-shit crazy ex and his cancer-stricken aunt) with cases the agency are running, the most important of which is the disappearance of a doctor, not seen since she left work one evening, forty years ago . . .

Most of the characters are very well drawn, and I had no trouble separating one from the other (a problem I had with Lethal White), the secondary characters which come and go throughout the novel are just as detailed which keeps this behemoth of a story lively and moving at decent pace. You find yourself wondering what the likes of Pat and Morris are up to while Robin and Strike are sitting in pubs discussing the cases; they have to do that a lot, and you’ll be grateful for it. The problem with a novel with this many threads is that the you might get lost along the way, so every so often, you get a sit-down moment where the detectives decide to get a sandwich or a beer or take a long drive, so they can review the last sixty pages or so to help keep the reader on track.

This happens – a lot.

In places, it’s a little clumsy, but on the whole it works well. Still, the fact that it’s needed does make me wonder if perhaps there’s just too much going on.

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Netflix’s Away

I got to the last episode, so I liked it enough to stick with it (which is pretty good considering the number of tv shows I abandon after part 2). So, yup, it was okay, but it wasn’t without its problems.

The story: the first manned mission to Mars, so nothing particularly new there, but this is particular outing gets away from all the science (yes, all of it), and focusses firmly on the astronauts who’ll be away from home for three years and the people they’re leaving behind. We actually don’t see too much of the other astronauts as the real family drama lies with the mission commander, ably played by Hilary Swank. On the day of the launch, her husband suffers a stroke that leaves him in a wheelchair. Naturally, she’s torn between the mission and her family. And, naturally, she chooses the mission, jetting off to Mars and leaving her daughter and her newly disabled husband behind.

Oh, and there are one or two spoilers after the jump, so proceed with caution (something that no one in Away seemed too bothered about).

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