Bruce Springsteen: Letter to You

Wow.

I mean it.

Wow.

Now that it can’t get out on tour, the Springsteen industry has turned to film to get the word out. It’s the same sort of idea they had with the excellent Western Stars, but this, amazingly enough, is even better.

Music is a serious business . . .

Shot entirely in black and white and on location in a New Jersey studio, Letters To You packs ninety minutes with new songs, and others that while still being new, hark back to Springsteen’s early songwriting days. Weaved throughout the film, Springsteen’s poetic monologues reflect on his early career, his deep relationship with his band, and his sadness for the friends he’s lost along the way.

Yes, they’re looking old, but the enthusiasm, love of the art and their commitment to perfection still shines through – and I say this as someone who’s not really a fan.

If you are a fan though, you don’t need me to tell you to see it any you can (at the moment, I think it’s only showing on Apple TV).

If you’re not a fan, you should see it anyway, just to experience the words and music of someone who’s dedicated their entire life to the pursuit of one single goal – even if he’s still not sure what that goal is.

Book review: Troubled Blood by Robert Galbraith (JK Rowling)

I’m a huge fan of the Cormoran Strike series, but I have to say the last one did leave me a little bit cold. The characters were two-dimensional stereotypes, the story meandered all over the place and the outcome was a bit of a disappointment. So when I downloaded Troubled Blood and saw the size of it, I was a little bit worried that I was going to devote quite a lot of reading time (it’d actually jumped the queue as well) for something I might not like.

It’s definitely not a novella: if you buy this in hardback it’ll weigh in at around nine hundred pages. There’s nothing wrong with a long book, but I can only think of two mega volumes I’ve really enjoyed from start to finish, without skipping a chunk in the middle through sheer boredom.

Troubled Blood is another chapter in the ‘will-they-or-won’t they’ lives of Cormoran Strike and Robin Ellacot, partners in a thriving London detective agency who’ve fancied the pants off each other since book 1, but can’t seem to get it together, mainly due to personal lives as chaotic as those of the people they’re following.

Throughout this epic, Rowling manages to balance all this personal stuff (Robin’s divorce, Cormoran’s bat-shit crazy ex and his cancer-stricken aunt) with cases the agency are running, the most important of which is the disappearance of a doctor, not seen since she left work one evening, forty years ago . . .

Most of the characters are very well drawn, and I had no trouble separating one from the other (a problem I had with Lethal White), the secondary characters which come and go throughout the novel are just as detailed which keeps this behemoth of a story lively and moving at decent pace. You find yourself wondering what the likes of Pat and Morris are up to while Robin and Strike are sitting in pubs discussing the cases; they have to do that a lot, and you’ll be grateful for it. The problem with a novel with this many threads is that the you might get lost along the way, so every so often, you get a sit-down moment where the detectives decide to get a sandwich or a beer or take a long drive, so they can review the last sixty pages or so to help keep the reader on track.

This happens – a lot.

In places, it’s a little clumsy, but on the whole it works well. Still, the fact that it’s needed does make me wonder if perhaps there’s just too much going on.

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