Caste: The Origins of Our Discontents

Once in a lifetime, if you’re lucky, you’ll come across a book that will change your perspective on everything: everything you’ve seen, everything you’ve heard, everything that’s happened before, everything that’s happening now, everything that’ll happen in the future. Once in a lifetime, you’ll come across a book that doesn’t tell you about something you haven’t already seen, or experienced, or at the very least suspected, but puts into a context that’s like a massive strobe light firing off inside your head.

Once in a lifetime, you’ll finish a book that compels you to sit in a dark room for a few hours with a bottle of something strong and NWA playing on a loop, just to make sure you have fully understood what you’ve just read.

For me, Caste is that book.

Being black, I’ve experienced a fair share of overt racism over the years: more than some, certainly a lot less than others, probably an average amount now I think on it; so when a book or article comes along that explores racism, then I’ll take a look (know your enemy and all that). The thing is, Wilkerson isn’t actually talking about racism, she’s talking about caste: a system deliberately created to elevate one group of people while keeping a knee on the neck of another, usually by ascribing an imaginary inferiority of the subordinate group through nothing more than a trait they were born with and cannot change (the colour of their skin, their parentage, their sexual orientation). On the surface, this looks a lot like like common-or-garden racism (or homophobia), so Wilkerson dives straight in and explains the difference:

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Another binge fest: What We Do in the Shadows

This bat-on-the wall documentary series follows a group of vampires living on Staten Island, New York.

Yes, it’s a comedy, based on a movie of the same name made by the awesomely strange Taika Waititi (Waititi’s version was set in New Zealand and I think he’s the executive producer of the TV series).

Now I’m a big fan of Matt Berry, so I’m probably a little biased, but I think it’s the funniest thing I’ve seen on telly this year. The script is hilarious, the acting is brilliant, with standout performances from Berry (of course), Natalia Demetriou, Harvey Guillén, Kayvan Novak, Mark Proksch … yeah, I know, that’s pretty much the whole cast, but they’re all really really good.

If I’m honest, I wasn’t so sure about Colin Robinson, but over the two seasons, he’s actually grown on me. He’s still annoying, obviously, but he’s supposed to be; it just took a while for my sense of humour to realign.

What We Do in the Shadows is definitely worth a look if you’ve got a few half hour slots to spare. Yet another ten out of ten.