Roar

Sorry, yet another review of something on a pay stream, but just like Severance, this weird little gem is well worth the money – from what I’ve seen so far anyway.

Roar is a series of eight films, based on the story collection of the same name by Ceclia Ahern.
Each story touches upon issues such as gender, race, illness – pretty much a metaphor for modern living, which probably explains why the whole series is heavy on metaphors.

I haven’t gone through the whole series yet, but so far, so good:

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Relic by Alan Dean Foster

Meet Ruslan, the acerbic last survivor of the human race, which has chosen to eradicate itself throughout the galaxy by engineering a virus without thinking that maybe engineering a cure would’ve been a good idea too. After spending decades wandering his homeworld alone, Ruslan is discovered by a benevolent alien race called the Myssari, who take him back to their planet to live out his final years as their honoured guest and much-loved research project. The Mysarri treat Ruslan very well, but the last human grows restless; he longs for true companionship, so he strikes a reluctant bargain with his benefactors. If they help him search the universe for the lost planet Earth, where he might find another survivor (hopefully female), he promises (and this is where the “reluctant” part comes in) to let them use his genetic material in a somewhat misguided scheme to restart the human race. (I mean why, for God’s sake – we’re a danger to everything everywhere.)

So let’s get the first question out the way: is the book any good?
Short answer: Hell, yes.

Okay, next question: why?

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