The Petulant Poetess Punctuation Guide.

Punctuation has become something of an obsession of mine over the past few years. I think this is because I spent the majority of my working life not really worrying about it. (As a computer programmer, the only punctuation I ever had to deal with was the semi-colon.)
When I learned you couldn’t just throw down a comma when you felt like taking a breath; that you don’t just drop in a semi-colon when you’re bored of using full stops; that two exclamations marks is always one too many. . . . Well, I’m afraid to say I became a bit of a punctuation Nazi. I read book after book, studied at various schools of religion and criticized others who had yet to see the light.

There’s nothing as irritating as the suddenly converted.

Anyway, I’m over that now. As many have said, punctuation are road signs to the reader, and when you know what you’re doing then there’s no reason why you drop in the occasional diversion. There are lots of rules, and lots of them conflict, so in the end you just have to settle with what you’re comfortable with.

Here’s my favourite example: the em-dash is used as a pause or sudden interruption.

She was cheap—or so he said—and would make a terrible mother.

Nothing wrong with that, except I’ve never been happy with the way such an interruption looks on the page. Something about it always struck me as rather heavy-handed, so I use the less common, and often frowned-upon, en-dash variation.

She was cheap – or so he said – and would make a terrible mother.

To me, that looks much better even if it’s not strictly correct. On the other hand, the em-dash looks fine if the interruption occurs at the end of a line:

‘What did you just call me, Douglas?’
‘I called you a—’
She slapped him – hard.

So I like to mix and match.

I tend to dip into quite a few punctuation guides when I’m stuck for a particular rule, or looking for some way to give a piece of writing more clarity and/or impact. While I’ve been working on The Quisling Orchid I’ve discovered that my favourite reference comes (once again) from a rather unlikely source.

The Petulant Poetess is a site dedicated to Harry Potter fan-fiction, but it also hosts a very good punctuation guide. The guide itself follows the Chicago Manual of Style pretty much, but it’s very compact and has adapted to publishing on the web (where it can be quite difficult to indent a paragraph, for example).

If you’re stuck for the comma rules, or your not sure if it’s safe to use a semi-colon, then it’s definitely worth a look.

Coming up for air

Second round done, and I’d forgotten how obessive I can get over punctuation. I’ve nipped, tucked, expanded and binned, and even found the time to keep a record of my progress:

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Okay, so after 36 days (morning and evenings mainly), I cut 4700 words from the book and I applied a lot of the stuff I learned from writing the previous two novels:

  • Read every note your editor has left you, and then read it again. She represents your potential audience, so don’t dismiss anything she says without thinking carefully about it first.
  • Characters should never go anywhere and do nothing. No one wants to read about a couple of days spent sight-seeing. The character has to learn something or find something or kill someone or have sex wth someone else. The point is they have to do something other than just look around.
  • Characters should not return somewhere they’ve been before without a bloody good reason; keep the story moving forward.
  • Characters should not have sex just for the sake of it. Again, the act should move the story forward or tell the reader something about the character they didn’t know before.

About halfway through the edit process, I thought a graph might be interesting:

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And this proved something I’d always suspected: I waste a lot of my time doing stats when I should be writing.

So how’s the book shaping up?

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Not too badly, if I say so myself. Still some fine-tuning to do, and then the copy-edit. Right now, I’m thinking about the cover design.