Film review – The Hunger Games: Mockingjay Part 2

I’m one of the Hunger Games’ unlikely fans: I didn’t think I’d like it, but the first two were brilliant (we should see more of Donald Sutherland). Mockingjay Part 1 was okay (kind of), and having seen Part 2, I’m pretty sure that’s where they should have stopped at Part 1

Yes, it was beautifully shot: the actions scenes were real edge-of-your-seat stuff, and the sets were breathtaking. The acting didn’t disappoint (no one’s going to win an oscar, but the performances were creditable).

So, my only real problem was with the movie itself: what was the point? Aside from the obvious (to make the studios a big pot of money), I struggled to see what they were aiming for. I had a similar problem with the Fantastic Four, except that film had been cut to fit into ninety minutes, Mockingjay 2 had been stretched to cover two and a half hours.

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There was an awful lot of travelling about; a lot deep, meaningless conversations in rooms alternating between pitch black and blazingly lit; the heroine wandered back and forth between home and the frontline while sighing and gazing into the middle distance… I started wondering if this could have all been wrapped up in Mockingjay Part 1 with a bit of judicious editing. Maybe not, but there certainly wasn’t enough here for two and half hours.  I guess that the studio (quite rightly) wanted to feel that the audience was getting its money’s worth; I’m just not sure this was the way to do it.

Still, if you’re a Hunger Games fan then you’re going to see it to find out what happens, and so you should. (Just don’t worry too much if you show up late). There are a few interesting twists along the way, though you won’t be hard pressed to see them coming, and as I said, Donald Sutherland was manically brilliant.

Five out of ten.

 

Book review: To Thee is this World Given by Khel Milam

Every so often, an afternoon spent trawling aimlessly around the internet will turn up a rare gem. Last week’s discovery was a self-published  novella entitled To Thee is this World Given: a slow burner that spends a few days with a handful of people surviving the aftermath of a zombie apocalypse.

Yeah, I know, the internet is creaking under the weight of apocalyptica, but this one is a bit different. It’s very much character-driven, along the lines of Station Eleven which happens to be one of my favourite books. You won’t see zombies eating the lungs of their screaming victims (and yet they’re still screaming), or chiselled sweat-laden heroes dispatching the walking dead with pickaxes. If that’s your bag then this book may not be for you.

dfw-km-ttitwg-cover-small-e1431038739393But if you’re looking for a measured, well-written (and I have to say it’s very rare that you see such care and attention devoted to a self-published novel), philosophical perspective on the end of the world, then this is probably it. It’s a great study of people and how they come to justify what they need to do to survive. You soon come to realise that the zombies are not really the problem (they’re slow, not particularly bright, and so pretty easy to avoid); the real problem is the other survivors, and the limits you set yourself in order to be one of them. Oh, and infected cuts: they can kill you too.

The writing style is crisp and lyrical (I can’t be a hundred per cent sure, but I don’t think I saw a single dialogue tag); the author makes great use of the environment to build suspense. The pace is slow, but still gripping. Some of the phrasing became repetitive at times; you can get away with this in a longer piece, but something like that does stand out in a novella. Still, the book as a whole was a highly enjoyable, wonderfully smooth read.

Seven out of ten.