A Song For a New Day by Sarah Pinsker

This one felt familiar: after a pandemic and a series of terrorist attacks, America goes into lockdown … permanently. A strict curfew is imposed, and the population works from home, rarely leaves town and relies on shopping and media conglomerates for supplies and entertainment.

Yeah, that does sound familiar …

The story follows the lives of two women struggling in this world of isolation: Luce, the last musician to hold a concert before the lockdown came into force, and Rosemary, a young woman who’s never left home, but has taken a job as a talent scout for one for aforementioned media conglomerates.

This is very much a character-driven piece, doing a decent job of telling the story from two viewpoints. I preferred hearing from Rosemary to be honest, as she started off as a young girl living at home without much experience of life away from her parents farm. I enjoyed watching her stumble and grow as the story went on. I mean Luce’s story was great too, but since she’d been out and around before the lockdown, she already had experience of the “before time”, so I did find her side of things slightly less compelling.

The writing style is bordering on literary I would say, with a lot of the prose taking place in the characters heads. It’s easy to read with no rough edges to get in the way of a good story. It’s also not big on suspense really. The bad thing has already happened, so all there is to do is cope with it the best you can. That’s fair enough, but if you’re the kind of reader who needs to be drawn to read on, then you might struggle. But if you’re looking for a good character drama wrapped in great writing then you should give A Song For A New Day is definitely worth a punt.

Shang-Chi and the Legend of the Ten Rings

One thing you can say about Marvel Studios … they looooooves their artifacts, especially if they come in a set, and if they can destroy the entire universe then so much the better.

In this surprising outing for one their lesser know players, the world’s greatest KungFu master is pitted against his own father who intends to use the ten rings he acquired hundreds of years before to bring back his dead wife (so at least his heart was in the right place).

There’s no point changing a winning formula, so the film is high-octane, pretty violent, but doesn’t take itself too seriously. I wasn’t convinced by the plot, but with great performances from Simu Liu (the hero) and Awkwfina (the non-romantic sidekick), Michelle Yeoh (who, let’s face it, is brilliant in everything) and Tony Leung, the plot didn’t actually matter so much.

No expense was spared on the special effects, the set design was brilliant, and the fight sequences? … Wow! I mean, yes, it’s a fight film, but some of the sequences were visual poetry; some bits were very much Crouching Tiger – which happens to be one of my favourite flicks.

If I had one complaint, I’d say that maybe the film was a little bit too long; a bit of editing could have shaved off a good twenty minutes in my non-professional-and-so-should-probably-be-ignored opinion. I dunno, is it possible for a finale to overdo it? If it can, then this might be the case study.

Still, a dream of a movie all the same. As I said, a strange choice for the opening of a new phase, but it worked. Oh, yes; it worked.