Yes, it’s a cartoon, and yes, I’m going to review it. I got a cheap Wednesday seat at the local multiplex, and I thought, why the hell not.
So what’s the deal here? Okay, the story is set in an alternative dimension where Spider-man is … different. Following the obligatory lab accident in a facility owned by the obligatory billionaire super-villain, the walls between dimensions are punctured, and Spider-folk from other realities start pouring through. The home-team Spider-man has to stop the villain and get his counterparts home … and that’s all I can say.
So what’s it like? Well, as I said, it’s a cartoon, so I wasn’t expecting to be blown away; but you know what? I think it was …
Okay, this is was a swings and roundabouts sort of a deal for me. They got a lot of stuff right, but I still think they have a way to go before they match the sheer awesomeness of Guardians of the Galaxy or The Age Of Ultron.
Okay, so what did they get right. Well, first off: Gal Gadot. This was a courageous and inspired piece of casting. I can imagine the punch-ups around the water cooler when someone suggested putting a near-unknown in the armoured corset, rather than someone with a more Johanssenesque quality. Well, the gamble paid off; Gadot brings a sort of naive, willful determination to the role, which was a welcome relief from the square-jawed stoicism we saw in Man of Steel and Batman vs Superman: Dawn of Justice.
You know what it’s like. Marvel Comics hands you one of the their B-teams and tells you to go make a movie. It’s a surprise smash, and now they want a sequel…
This is often where the trouble starts, and that’s why I can count on one hand the number of sequels that are better than the original. Fortunately, the director of Guardians of the Galaxy didn’t get a god complex and jet off on a wild tangent to find his artistic centre; nope, he looked carefully at what made his first outing such a huge success and then delivered exactly the same … only more so.