Somehow, describing this as the ‘long-awaited sequel’ doesn’t quite cover it. I’ve had this on preorder for MONTHS. As I’m sure you know, The Testaments is the follow up to the enormously successful, and worryingly prophetic, Handmaid’s Tale – the story of a dystopic America, where a huge swathe of the country is under the control of a totalitarian government that has removed the rights of woman to exist as individuals. (Seriously, if you’ve never heard of this book then I think you may be on the wrong blog).
The Testaments carries on a few years after the last book left off, delving deeper into the world of Gilead from the point of view of women living within it, and outside. It’s not the same literary horror story we saw in the first instalment (or indeed, the tv series), so I don’t think it carries the same shock value I remember from reading The Handmaid’s Tale, though now I get less of a sense of ‘this could happen!’ and more of a sense of ‘I think it already has.’
The writing is much lighter, with less of the literary flair we saw in June’s account of her life as a handmaid. What does come across is the hypocrisy of the entire Gilead setup, and the sense that many of the original characters (Aunt Lydia in particular) are perhaps just as much victims as the handmaids; they were just better survivors.
Continue reading “Book review: The Testaments by Margaret Atwood”
Following the economic collapse of the American mid-west, Stan and Charmaine’s upwardly mobile future disintegrates within the space of a few months. They lose their jobs, their status, their home, and find themselves living in their car and rifling through trash for food while avoiding the looters and rape gangs that now roam unchecked across middle America.