Severance

If you haven’t seen Severance yet, then you should. The first season (running on Apple TV+) has just finished, and the whole thing has been absolutely bonkers.

I mean, from the strangely disturbing opening credits, you know you’re in for something seriously weird.

The premise is deceptively simple; Severance tells the story of a small group of individuals who, in order to work for the dystopian Lumon Corporation, have agreed to be ‘severed’. What does this mean? Okay hang the hell on … The employees have a chip inserted into their brains which prevents them accessing their home life memories while they’re at work, and their work memories when they’re back at home.

Ideal for Lumon: the staff have no idea what they do for a living when they’re not at work, and when they are at work, they’re not distracted by problems at home. Sounds almost too simple to run a whole TV series around, but the genius of it hits you when you realise that what you have is two separate people living in the same body, and as your memories are part of who you are, then these people can become completely different over time. And as far as the ‘Innie’ (the person actually at work) is concerned, their whole existence is in the office. They get in the elevator to go home, but they don’t go home: as far as they can tell, the elevator doors open and they’re still in the office. That’s when it hits you how inhuman it is; people are being exploited with no escape, and when their ‘outie’ leave the company, they simply cease to exist … or did they ever exist in the first place?

As I said, it is bonkers, a dark comedy, thriller and dystopian science fiction all rolled into one. The script is witty and sardonic, the acting is brilliant; it’s worth seeing for the sheer novelty, and for Patricia Arquette’s mad portrayal of the department boss.

Yeah, it’s on AppleTV+, but it’s worth taking out the sub for the month to binge it.

Relic by Alan Dean Foster

Meet Ruslan, the acerbic last survivor of the human race, which has chosen to eradicate itself throughout the galaxy by engineering a virus without thinking that maybe engineering a cure would’ve been a good idea too. After spending decades wandering his homeworld alone, Ruslan is discovered by a benevolent alien race called the Myssari, who take him back to their planet to live out his final years as their honoured guest and much-loved research project. The Mysarri treat Ruslan very well, but the last human grows restless; he longs for true companionship, so he strikes a reluctant bargain with his benefactors. If they help him search the universe for the lost planet Earth, where he might find another survivor (hopefully female), he promises (and this is where the “reluctant” part comes in) to let them use his genetic material in a somewhat misguided scheme to restart the human race. (I mean why, for God’s sake – we’re a danger to everything everywhere.)

So let’s get the first question out the way: is the book any good?
Short answer: Hell, yes.

Okay, next question: why?

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