The great ellipsis battle of 2016

I don’t think a single piece of punctuation has caused me so much trouble as the ellipsis. It’s not that I don’t understand it (though since discovering the internet, I have probably developed an annoying tendency to overuse it); it’s formatting the bloody thing that is proving to be a ginormous pain in the butt.

Okay, so what can you use an ellipsis for?

Well, in formal writing, the ellipsis is used to show that words or phrases have been missed out of a quotation:

Original

George was a fine man. He was a strong man, a pillar of his community and a stalwart of the local fire service. At weekends he enjoyed golf, scuba diving and wearing his wife’s clothes.

Ellipsised

George was a fine man … At weekends he enjoyed golf, scuba diving and wearing his wife’s clothes.

Simple enough, but note that the sentences remaining must carry the same meaning and they also have to make grammatical sense.

This isn’t very common in creative writing; here ellipses are more often used to show dialogue trailing off.

But George, those are my …

Or a pause for thought.

George, how would you like it if I just started wearing your … your underpants!

Or to denote uncertainty or a distraction.

George, the vicar is here to see … For the love of God! George!

All pretty straightforward, unlike George’s life choices. So what’s the problem. Well, for an autistickler like me, it’s how to format them. On the internet, there are loads of opinions to choose from. The common choice is to use three dots separated by spaces. A bit like this:

George, have you seen my . . . ?

This doesn’t look too bad on the page, but it all depends on the the justification. Most eBooks need to stretch the text around to justify it properly, and that can lead to big unsightly spaces between the dots.

George, have you seen my     .      .     .    ?

Not good, but not a big deal, I thought. I’ll just define my own ellipse character that uses a thin space between the dots. Not a complete fix, but it’s better than nothing.

One small snag though: To make sure that the dots are not broken across lines, I need a non-breaking thin space. While there is a unicode definition for a non-breaking thin space (character U+202F, I think), it doesn’t appear to be standard across all fonts. So when your readers change the ebook reader font to something other than Times Roman, those carefully crafted spaces between the dots all disappear.

All modern fonts define their own ellipse character (some better than others), so in the end, I decided to stick with that. That only left the problem of the spaces on either side of the ellipse. Again, the justification of the text often leads to this sort of nonsense.

George, the vicar is here to see     …    For the love of God! George!

So it was time for a bit more research.

As it turns out, there seems to have been a little bit of a change of thinking in how ellipses are formatted, and I think it’s due to writers having to cope with flowing text on web pages. I’ve read a couple of books recently that dump the first space before the ellipsis and leave the second one. In this regard, the ellipsis behaves like any other bit of punctuation: it sits flush against the word to its left, and has a space after it.

George, the vicar is here to see…    For the love of God! George!

Without the space before the ellipsis, the dodgy justification is not so pronounced. And the best part is that I don’t have to remember to hit the non-breaking space in front of it.

Film review: The Danish Girl

the danish girlThe talented Eddie Redmayne is cast as Einer Wegener, the successful Danish landscape artist who was one of the first to undergo gender reassignment surgery. Set in 1926, the film charts his pioneering (is that the right word?) journey to becoming Lili Elbe.

What makes this film extraordinary is its depiction of the changing relationship between Einer/Lili and his wife, Gerda. In fact, the film is not so much about Einer’s self-discovery as much as Gerda’s sacrifice. She loved Einer so much that she would have done anything to see him fulfilled, even if that meant helping him become someone who would not love her back… well, not in the same way at least.

The Danish Girl is a great movie: understated and beautifully shot. It treats the subject of transgenderism with a delicate sensitivity and without attempting to make judgments on Einer, and more importantly, Gerda who chose to stay with Lili. It lays out the story and leaves you without a sense of who is right, who is wrong, or even if there is a right and wrong. Should she have stayed with him; should he have stayed with her. I left with the sense that perhaps Lili should have set her free, just as Gerda had done for Einer.

Anyway, the acting is superb, from both Eddie Redmayne and Alicia Vikander. The script washed over me without leaving much of an impression, but I think this is a good thing: this is a movie that is very much the sum of its parts, and I think having any one particular element stand out would have made it unbalanced. It was clearly a labour of love for everyone involved and it showed.

Excellent. Nine out of ten.