Jessica Jones: Superheroes with soul.

Netflix and Marvel’s Jessica Jones shows how these things should be done. Yes, it’s another superhero series, but this one is every bit as good as Daredevil, and what makes it good is what’s been left out:


  • No one seems to have any super powers; well, nothing earth-shattering anyway. You won’t find anyone here who can knock down a building by breathing on it. Jessica gets by on modicum of super-strength, and seems to be powered by vodka and very little else. She’s a private detective by day, and like all good gumshoes, she drinks to forget.
  • There are no city-levelling fight scenes.
  • No hi-tech armour, no mystical hammers and no indestructible shields.
  • No Scarlett Johanssen, but I’ll get over it.

What it does have is an easy slow-burning plot and a rather seedy feel that comes across as a sort of film noir shot in a slum. The script is deadpan, not overdone, with a hint of dark humour. They’re not trying to send a message or save the world; none of the heroes and villains here give a hoot about anything or anyone.  It’s surprisingly heavy on the sex scenes, and the director hasn’t pulled any punches in any of the fight sequences – and there aren’t that many of those.

I didn’t make it through the first episode of Supergirl; I’ve watched four episodes of Jessica Jones, back to back, and when I’m done here I’m going back for more. Great stuff.

Eight out of ten.

Just started watching Dark Matter…

Apparently we’re six or seven episodes in already, so I’ve got a lot of catching up to do. The premise isn’t going to make anyone work too hard: Six individuals wake up on a space ship, with no memory of their past lives. At the moment our heroes(?) are rebelling against their employer by defending a mining colony.


Dark Matter is based on a comic book (what isn’t?) and seems quite well done, so I’ll probably stick with it and see where it goes.

I have to say that it all does seem a bit familiar: six humans and a machine travelling on a space ship, righting wrongs committed by a sinister corporation?

Looks a lot like Blakes7 to me. . . .


I watched the cracking first episode of Channel 4’s new Sunday nighter which explores the ideas of machine intelligence. The action is low-key, but the premise is as fascinating as it is chilling: If machines become sentient then are they people, and should they be treated as such? I’d probably say yes, but a few of the characters portrayed in Humans clearly disagree.


It’s not a new idea, and we’ve had a spate of similar movies recently (AI way back in 2001; I, Robot; Ex-Machina; Chappie; Her), but Humans is set in a present-day United Kingdom so it hits much closer to home.

Gripping stuff and well worth looking out for.

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