Well… he’s finally made to the big screen – one of the most politically incorrect superheroes ever created. I don’t think there’s much point explaining Deadpool’s background: you either know him or you don’t.
What? Okay, here’s the short version: a former special forces operative suffering from terminal cancer agrees to undergo an experimental procedure to make it a bit less terminal. It works, after a fashion, granting him healing abilities hijacked from Wolverine and amped to a level where he can regenerate missing body parts.
Now, you’d think that being granted a second chance at life would make him a little more grateful. Unfortunately, the experiment leaves our anti-hero horribly disfigured, so no, there’s not a lot of gratitude, but an awful lot of sour grapes.
Deadpool is one of Marvel Comics’ surprise success stories. He has no moral compass, so it’s a happy accident that he seems to end up fighting on the right side.
And the film itself is brilliant; possibly my favourite comic flick of all time. It’s like National Lampoon decided to make a superhero movie. The plot is simple and workable, and along the way the movie pokes fun at itself and the whole genre with the occasional play to the camera (easy to overdo this sort of thing; Deadpool sails close, but just manages to keep it this side of tedious). The fight sequences are excellently staged and the action scenes are tightly directed and a little gory in places. But this is Deadpool; we weren’t expecting anything less from a man who’ll dismember himself while he’s drunk.
And woven through the mayhem, you’ll actually find a little bit of a love story; just enough to make you root for him anyway.
But best of all, it is very very funny; laugh-out-loud funny in fact. This film has been hyped for months and I’m glad that I wasn’t disappointed. I bought another ticket on my way out, so I’ve got no choice but to give it ten out of ten.
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Right: it was a love story that was as raw as an open wound. (Yes, it was)