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Some movies are s0 good – I mean so utterly utterly wondrously brilliant – that every moment that you waste reading a review about it is time you could have spent getting yourself to your local cineplex, buying waffles and ice-cream, hunkering down in your seat and treating yourself to the best film you’re likely to see this year.
Baby Driver is one of those movies, so before you go…
I say a film of two halves, but it was more like a film of two thirds – and then another third. Most of the film plods along at a sedately pedestrian pace, dipping into history here and there to fill in a back story that provides a little relief from the drawn-out ramble to the inevitably epic finale. And what a finale it was: a cacophany of car chases, massive gunfights and expensively CGIed global devastation that raced and meandered like a torpedo with a bent propeller until you finally reach a conclusion that leaves the door swinging wide open for another movie.
The best thing I can say about the film was that it was okay. It was an inoffensive kids’ flick that you’d probably forget about as soon as you left the cinema, if not for the ringing in your ears.
Mark Wahlberg turned in his usual workmanlike performance as the male lead, and I think any problems I had with Laura Haddock as the hyper-intelligent and hyper-stunning Oxford professor (I wonder if she knows the hyper-intelligent and hyper-stunning Oxford professor who appeared in The Mummy) were probably to do with the direction. Continue reading “Transformers: The Last Knight. (A film of two halves)”