Category: Novels

A neat trick with Scrivener meta-data

Okay, now I say ‘neat’ because I was pretty chuffed when I got it to work!

Scrivener is the best way to write a book, in my less than humble opinion, but it does have a pretty steep learning curve for some of the really deep stuff it can do. For that reason, make sure you have a good working knowledge of the Scrivener styles setup before you go any further.

Okay, so here’s the scenario:

I’ve just joined a local writing group, (lovely people), and one of the things we do is critique each other’s ongoing work. I like to pull out the occasional chapter that I need help with (which is usually all of them) and drop them in for a quick look-see. Easy enough in Scrivener: you can set the compile page to include just the chapters you want and export them to a PDF.

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There we go: first chapter of the new book, ready for export and review. The only problem is, I don’t have a header. Now, the writers group is pretty specific: every submission has to have a header on the first page which showing:

  • the author
  • the title of the piece
  • the word count (our group has a limit of 1500 words for a review, though you can submit two pieces if we’re short of pieces – which we never are)
  • genre (I usually have no idea what genre I’m writing until someone tells me)
  • type of feedback required (the best answer seen so far: ‘gentle’)
  • anything the reader needs to know (you can add warnings for graphic sex scenes, violence or mentioning Brexit)

Continue reading “A neat trick with Scrivener meta-data”

Predator’s Gold by Philip Reeve

I don’t usually crack straight on with a sequel straight after reading Book 1, but the whole Mortal Engines thing intrigued me. The whole setup was so well-done, so painstakingly executed that I wanted to see, from a purely technical viewpoint, if the author could maintain that level of commitment through to the sequel. In many cases, a second book comes across as a little bit tired – not so here. If anything, Predator’s Gold was even better than Mortal Engines.

61DiWWb-hRL.jpgThe writing was a lot more confident, and the characterisation, I felt, was  much deeper. Tom (our main protagonist) hadn’t really changed that much in the two years since we’d seen him, while Hester, his partner, has hardened (and I didn’t think that was possible) further into the kind of selfish and embittered survivor he needs to keep him alive. That’s the thing about Tom: he’s an almost passive observer to things going on around him, so  he sometimes seems to fade into the background, especially if he’s in a room with far more interesting people. Th rest of the characters are gloriously over the top: they’re either shockingly evil, in a Christmas pantomine sort of a way (YA fiction, remember?) or laugh-out-loud comical.

Like Mortal Engines, there are two really stand-out points with this novel. First off, the settings. The whole idea is magnificient. This notion that towns have evolved into almost living things that prey across the landscape of a ruined planet, lying in wait to devour smaller, unsuspecting towns is simply brilliant.

And secondly, we have the quality of the prose: tight, easy-flowing, not a single word goes to waste. Reeve has actually done something that is enormously tricky to pull off; he’s written the book in an omniscient viewpoint, dipping out of the characters heads, sometimes within the same paragraph. He’s made it work, and I can’t say I’ve read many authors that have managed to get that right.

Ten out of ten.